*Not currently offered
The 3-course, twelve credit hour Short Term Divisional Certificate in Music and Culture of the African Diaspora provides a solid
primer on the origins and backgrounds of music and cultural practices that originated in Africa, and were developed in all regions of the Western world. The program begins with Music and Culture of the African Diaspora-Africa and Spain. This course will
provide an introduction to the various music cultures of Africa. Beginning with an overview of the study of music in world cultures, ethnomusicology, we will progress to analyze the role of music in African cultures based on their religious beliefs and practices, technology, traditions, and attitudes towards change and innovation. Through selected readings, audio, video and interactive viewing and listening activities students will experience the historical, sociological and cultural processes through which African musical traditions began, grew and matured and flourished.
Students will then proceed to Music and Culture of the African Diaspora-
The Northern Hemisphere, a focused examination of the history and current scholarship of African
The Northern Hemisphere, a focused examination of the history and current scholarship of African American music from the eighteenth through the twentieth century. This includes some of the following: African legacies, slave culture and religion, music in the early black church, folk traditions, spirituals, popular music, various composers, and especially the sociological implications of the development of protest music and its eventual evolution into Empowerment Songs. The course will utilize North American musical forms to explore sociological and artistic parallels, especially as they relate to the ability of a displaced people to use music and related art forms to resist abasement and oppression. This examination will employ Testification Theory as the basis of these explorations
The culminating and final course, Music and Culture of the African Diaspora
The Southern Hemisphere, will explore the richness
and diversity of Latin American and Caribbean music, and facilitate an appreciation for the cultural connections arising from their African legacies, The course will utilize Caribbean musical forms to explore sociological and artistic parallels, slave culture and religion, and especially as they relate to the ability of a displaced people to use music and related art forms to resist abasement and oppression. This examination employs Testifycation Theory as the basis of these explorations.
The Certificate in Music Industry and Production consists of a minimum of 12 semester credit hours selected from the following components:
Component 1: Music Industry (6 credit hours)
MUI 101: Survey of the Music Industry I. A survey of the history and practices of the music industry. Students are introduced to
careers and career planning, qualifications and credentials, and trade associations and unions in the music industry. Pre requisite: Consent of instructor. Credit: Three Semester Hours.
MUI 102: Survey of the Music Industry II. A continuation of MUI 101. A survey of the structures, economics, and operations of the recording industry; music publishing and distribution systems; intellectual property; and issues related to live music performance. Prerequisite: MUI 101. Credit: Three Semester Hours.
Component 2: Music Production (6 credit hours, selected from the following options)