4

“The Sonnet as Political Form in Geoffrey Hill’s ‘An Apology for the Revival of Christian Architecture in England.’” Packingtown Review (Spring 2009): 115-123.

"On Chapter XLV of Derek Walcott's Omeros." Notes on Contemporary Literature 38.2 (March 2008): 6-8.

“Simulation, Popular Culture, and the Postmodern Long Poem: The Case of Kenneth Koch's Seasons on Earth.” Special Issue on High & Low / Culture. Guest Ed. Kevin J. H. Dettmar. The Journal of the Midwest Modern Language Association 40.2 (Fall 2007): 4-18.

"Anglo-Saxon and Welsh Origins in David Jones's The Anathemata." North American Journal of Welsh Studies 6.1 (Winter 2006): 1-18. Web.

"Beyond the Postmodern Long Poem: Campbell McGrath's 'The Bob Hope Poem.'" EAPSU Online: An Annual Journal of Critical and Creative Work 3 (Fall 2006): 47-62. Web.

"Master I Was the Freshest of All Your Readers": Derek Walcott's Omeros and Homer as Literary Origin." LIT: Literature Interpretation Theory 16.1 (January-March 2005): 1-23.

Articles in Books “Questioning Western Spirituality: Galway Kinnell’s The Book of Nightmares and Gary Snyder’s Mountains and Rivers without End.” Contemporary Literary Criticism on Kinnell (2016).

“The New American Poetry at 50: The Legacy of the Long Poem.” The New American Poetry at 50. Ed. John Woznicki. (Bethlehem: Lehigh University Press, 2014).

"William Butler Yeats," "Nationalism in Yeats," "Love in Yeats," "Futility in Yeats." General Themes in Literature. Ed. Jennifer McClinton-Temple. (Facts on File, 2010).

“Stephen Dunn's ‘The Insistence of Beauty’ and 9/11.” 9/11 in Popular Culture. Eds. Sara Quay and Amy Damico (Denver: Greenwood Publishing, 2010). 119-121.

"Mark Halliday." American Writers: Supplement XIX. Ed. Jay Parini. (New York: Scribner's, 2010). 81-95.

“The Baron in the Trees,” “Italo Calvino,” “Cosmicomics,” “If on a winter’s night a traveler.” Companion to the World Novel: 1900 to the Present. Ed. Michael D. Sollars. (New York: Facts on File, 2008). 57-58; 122-123; 184-185; 377-378.

"Charles Olson." Who's Who in Twentieth-Century World Poetry. Eds. Mark Willhardt and Alan Michael Parker (New York: Routledge, 2000 and 2002). 238-239.